One big difference that I noticed between the dramatic version and the short story version of “Trifles”, indeed, between most prose and drama, is the immediacy of the story and dialogue. When drama is acted on stage the audience is exposed to the setting and much narration through the sense of sight. There are no long explanations of how a character is feeling or how a certain room looks. The latter is seen immediately, while the former needs to be deduced from the dialogue and the mannerisms that the actors have. When reading a written drama we lack the visual setting and characters, but we are still unencumbered by long bits of narration. It creates that sense of immediacy that we saw in “Popular Mechanics” where there was only action (except for the introduction), but in a more cohesive form. Of course, the lack of narration can be a disadvantage, especially when reading the drama on paper. It is much harder to develop a character without any insight into the character’s emotions and thoughts. A drama tends to limit the point-of-view to that of a first person observer without any attachment to a specific character.
Friday, September 21, 2007
Glaspell's Work
Another factoid I learned from the short story was who was Harry. In the play it just says the Mr. Hale was riding with him, but it is only in the short story do we find out that it was his son.
Plays Vs. Stories
I personally like the plays because you can feel how the characters are feeling. As your reading, you can put unique personalities into each of the characters. You can change the tone, the accents, or the pitch of the voice to make it what you want it to be. Don't get me wrong you can't make a character sound like a creepy, scary person if their in the middle of a happy conversation. Or can you?
As your reading plays you can do whatever may come to you. As long as it makes sense to you and how your interpreting the story.
Trifles left me in wonder. How come the men were oblivious to what the women were doing? What happened in the end? Do the men find out who really killed Mr. Wright? Is Mrs. Wright guilty for killing her husband just because her husband killed the canary?
Wednesday, September 19, 2007
Lust
One night stands are a very common thing for younger males, the way that the narrator depicts their strategies to achieve this is pretty accurate. If the males are having one night stands then there have to be females willing to participate. I believe that these girls have lost their souls.
“Teenage years. You know just what you’re doing and don’t see the things that start to get in the way.”
In this story the school gives out “the pill like aspirin”, not that here is anything wrong with knowledge about your options and precaution if you are going to be involved in such things. Then the headmaster reprimands her for the p.d.a. that he is worried will ruin the schools name, but since it is expected he guides her toward where she can do it without getting caught. Then there is also the pressure that is placed on her or other teenagers who just want to be accepted. If you’re not in some relationship, or you refuse sex it seems that there is something wrong with you. But in the same breath when you do participate you are called mean names and so forth and it seems like devalued in the eyes of other young adults who know what you are doing. But not boys; it’s like the narrator explains when she writes that “for a girl, with each boy it’s as though a petal gets plucked each time.”
As a female I think that the repercussions from one night stands are grave to the emotional and mental state of young women. The narrator explains it best in 79. I think females are more involved emotionally when it comes to sexual activity.
I believe God wants us to wait until marriage to participate in sexual activity to protect people. It is a very intimate thing to share yourself with someone else. It is probably very painful to not feel loved, appreciated and wanted after participating in such special act. I believe before you make Love you must know you Love the person and be involved in a healthy committed relationship with them. This ensures positive or healthier feelings about what you have done. I also don’t believe you should ever regret a thing you do that’s why you should think things through before you do them.
They say that it is one of the things that women should try to experience at least once in their lives (at least according to what I heard on a Z100 commentary). But for the most part, especially when girls start at a young age the feelings that the girl had throughout the story of feeling “diluted, like watered-down stew”, “like a bathroom window that only lets in the grey light, the kind you can’t see out of”, “I was ashamed and couldn’t look him in the eye”, are what results.
I don’t think that we are wired to do this, even males, I think we all want something more, at least deep down in our hearts.
This society is backwards sometimes; in the American culture it seems to me that it is not expected for younger people to become involved in meaningful relationships. It is not encouraged with things like you need to find what’s out there in order to find the right one, and the notion that you can’t find that person if you only date one person. Through this mentality young adults miss out on having much healthier emotional experiences. Relationships of all kinds are not easy, you have to work at them, and nothing worth having is easy.
I could write forever on this topic but I shall leave any further comments for class if the occasion arises that we analyze it.
Popular Mechanics
Love in L.A.
Tuesday, September 18, 2007
Love in L.A.
My thoughts
Everything the book the explains about "Trifles" makes me wonder how perceptive I am. Especially the covert symbolism in the smallest of objects. I'm talking about the frozen jar of jelly (or preserves). That jar denotes that Mrs. Wright was unable to bear fruit. But how? I guess I will save questions like these for class. Gender differences was the only theme I picked up after the first page. The sheriff pointing out in the kitchen that these small problems are merely just trifles, Mrs. Wright wearing an apron and knitting, and the women concealing the evidence. It's pretty clear-cut, as far as historical context goes that there is more meaning to this play.
The Bride Comes to Yellow Sky
Carnal Knowledge
I was also very intrigued by the fact that Jim so quickly gave up everything he knew, his job, his family, his social life, and his meat eating, for a women who he harldy knew. When he was with her, he did as she did and ate what she did, but after the two of them seperate in the end, he started eating meat again. i felt like he was rebelling against her because she went away with Rolfe for a month.
Analysis of Miss Brill
The beginning of Love in L.A. sounds like a typical boy's life who is moving on up to becoming a man. This is starting to be a typical love struck story where the damsel in distress gets the guy's number. The only difference here is that her "hero" is the one who got into the accident with her? Surprised? Nope...the guy reacts as anyone would to a pretty girl. Also known as lying to seem like a better person. Jake was a well thought out person. He knew who he was and what he wanted to be. He was prepared for the unexpected. He had an answer for everything- even fake license plates!
Anything to do with love is complicated yet simple. Whether they are books, movies, or plays they are predictable- to a point. There are always going to be similar plots, or settings, or characteristics in the characters. But it is up to us to interpret in different ways. Whether you relate it to family members or friends. We can make it more personal and interesting if we apply it to out own life. I think this is what the authors wanted to do in these excerpts
Carnal Knowledge
Trifles
Miss Brill
Mansfield's writing style, serves beautifully to draw the reader into Miss Brill's perception of the world. It is as if the reader himself, is an audience member- the story reads almost like a play.
Mansfield uses vivid imagery to describe the setting of the play:
"Two young girls in red came by and two young soldiers in blue met them... Two peasant women with funny straw hats passed, leading beautiful smoke colored donkeys..." Mansfield consistently uses color imagery to describe characters in the story. Additionally, she repeatedly describes the music that is playing in the background, and with each character that we meet, with each changing action, the music changes as well: When a passing woman is insulted, "even the band seemed to know what she was feeling, and played more softly, played tenderly..." As in a play, the music changes to reflect the chaning mood of the plot.
It is almost as though we are not reading the story then, but seeing a play, complete with costumes and musical accompaniment.
In this way, Mansfield allows the reader to identify with Miss Brill. We are witnesses to the very same scene that she is watching, and our experience with the scene, thanks to Mansfield's technique, is just as real and true as Miss Brill's herself. We are spared no detail, and see and feel everything just as Miss Brill does herself.
Thus, at the end of the story, we understand Miss Brill's pain, and feel it just as acutely, as if we had been insulted ourselves.
Love in L.A.
thoughts on Trifles
“Miss Brill” played a lot on the narrator’s mood to drive the story. There was almost no action in the story, but through the voice of Miss Brill the reader gets a very vivid idea of her character and her outlook on life, she is positive, happy, optimistic, but we also see, at the callous, inconsiderate comment of the young man, that she is also very sensitive, and it was these emotional shifts that drove this story.’
“Carnal Knowledge” made use of one sentence to set the tone of the story; “And then I met Alena Jorgensen.” This then sets apart his normal life from his short stint with Alena and animal rights activism. Because of the excluding then and his awakening from “a bad dream” at the end of the story makes the entire story feel like and out of body experience, something that happened to him that was almost surreal, yet also very real in the detail he gives us, not only about his experiences, but also his emotions towards Alena. Part of the irony here is that it seems he is caught up with this new cause that gives purpose to his life, but when Alena left, he went to his regular life as if nothing really happened.
“Summer” was a bit unique compared to our other stories in that it was nearly all narration, there were maybe two or three sentences of dialogue in the entire story, which kept the tone of this story as a nostalgic musing of a better time. It was nice though, and the voice here works very well; David Updike did not have to struggle with the difficulty of having a first-person child-narrator, but he still managed to evoke a sense of youthful naiveté in Homer.